Meet The Dancing Queen

As part of honoring our commitment to cultural humility and anti-oppressive practices in research, our team took great care in honoring the voices of all of our participants, and gained feedback each step of the way through collaboration with the Asian American community.

The Dancing Queen’s Tracklist

The Past

Tom and Jerry? 0:00-0:21

Les choristes – Bruno Coulais & Les Petits Chanteurs de Saint-Marc 0:22 – 1:25

Thunder – Imagine Dragons 1:26 – 2:15

Dirty Paws – Of Monsters and Men 2:16 – 5:51

On the Inside – Young Mister 5:52 – 8:14

The Present

Quote from Hannibal, 8:15 – 8:20

Saturn – Sleeping At Last  8:21 – 11:15

Dancing Queen – ABBA 11:16 – 13:17

The Call – Regina Spektor 13:18 – 14:57

The Future

Mountain Sound – Of Monsters and Men 14:58 – 17:39

Quote from The Three-Body Problem, 17:40 – end

The DANCING QUEEN

In a heartfelt effort to honor their cultural roots, this teenager navigates the complexities of belonging in American society. Through unique sound effects, they powerfully express their emotions surrounding loss while showcasing their remarkable resilience. Embracing life and joy, this teenager embodies hope and strength.

We would like to give special thanks to Elizabeth Anglin for the incredible artwork of The Dancing Queen!

Click Below to Follow Along with the Dancing Queen's Music Analysis

A teenager finds themselves in a challenging struggle, navigating the complex emotions of belonging as they try to bridge the gap between their cherished cultural roots and the unfamiliar reality of life in America.

They are torn, longing to preserve the rich traditions of their homeland while simultaneously seeking to discover where they truly fit in this new setting.

The scene opens with a lighthearted yet painful sound, echoing the familiar slapstick humor of a classic Tom & Jerry cartoon— a hammer playfully hitting a foot, followed by a haunting laugh that seems to capture their inner turmoil. This contrast flows gently into a tender melody, evoking a deep sense of nostalgia as it reflects the heart-wrenching experience of leaving behind their old life, filled with beloved memories and connections that make their heartache for home.

Geamins oubliés égarés, (See you on your way, lost)

Donne leur la main, (forgotten kids, give them a hand)

Pour les mener, (to lead then, towards another)

Vers d’autres lendemains (tomorrow)

The vocals and instruments are gently sung by a young child accompanied by a choir and string instruments. As the song ends, the listener is left with images of a childhood that ends too soon but also one that was filled with hope – 

Bonheurs enfantins,

trop vite oubliés effacés ((childhood happiness)

Une lumière dorée brille sans fin tout au bout du chemin (forgotten too soon, erased, a golden light shines endlessly at the end of the path).

As the past continues, we hear,

Not a “Yes, sir,”

not a follower,

Fit the box,

Fit the mold,

Have a seat in the foyer,

Take a number, I

was lightning before the thunder.

The volume is turned up throughout the entire song, as if to defiantly shout that while I may have left my country, I have not left my culture. The immigrant experience of early struggles is reflected in Monsters and Men’s “Dirty Paws.” – 

In contrast to other CIABs, the Dancing Queen tenderly plays the song in its entirety, free from effects or alterations. This heartfelt choice invites the listener to fully immerse themselves in the song, encouraging them to lose themselves in memories and emotions. As the journey through the past unfolds, it gently leads to a poignant ballad, filled with soothing piano melodies that evoke a deep sense of nostalgia and longing. This piece reflects on the fleeting nature of time and cherished moments that have slipped away. It compassionately poses the questions we all grapple with: Where did all the time go? How did we arrive at this moment in our lives?

The present is greeted with a quote from Hannibal Lecter that fades in from a quieter level and grows into the same volume as the past.

Without death, we’d be at a loss.

It’s the prospect of death that drives us to greatness.

The present transitions into “Saturn” by Sleeping At Last, which begins with the lyrics

You taught me the courage of stars before you left,

How light carries on endlessly,

even after death,

With shortness of breath,

You explained the infinite,

And how rare and beautiful it is even to exist

The song is performed with sincerity, and its emotional weight is conveyed through the piano, strings, percussion, and shimmering vibraphone. It builds into a powerful blend of vocals and sounds that start to echo and eventually overlap, not through any effects added by the teen, but rather by the band itself.

I’d give anything to hear you say it one more time,

That the universe was made just to be seen by my eyes

before dropping the floor on the listener by reverting to the sole, quiet vocal

With shortness of breath,

I’ll try to explain the infinite,

And how rare and beautiful

it truly is that we exist.

The music suggests the feeling of transformation. This is further emphasized by pairing with Abba’s Dancing Queen, a song within a life now tied to joy and friendship

Feel the beat from the tambourine,

Oh yeah,

You can dance,

You can jive,

Having the time of your life,

A reverberation is added at the end of the song to help the listener transition into Regina Spektor’s “The Call” from the film “The Chronicles of Narnia: Prince Caspian.” The teen uses this song to end their present life chapter by showing no regret or remorse about losing the present, as there is

No need to say goodbye,

You’ll come back,

When it’s over,

No need to say goodbye.

 

 

The future is optimistic as it is loud. What begins with …

So I packed my things and ran,

far away from all the trouble

.. and continues with the realization that they have been fortunate:

Some hid scars, and some hid scratches,

It made me wonder about their past,

And as I looked around,

I began to notice,

That we were nothing like the rest.

The song’s imagery beautifully evokes a future filled with hope and possibility, shared with a beloved partner – someone they will love, bond with, and share similar ideas and experiences.

The CIAB ends with a quote spoken by the teen 

Every era puts invisible shackles on those who have lived through it, 

and I can only dance in my chains.

The invisible shackles refer to their immigration experience and how it will always be a part of them and how they will be perceived. Yet, the teen has also come to terms with their life and is still able to have joy and happiness in their life

Anything that may tie the teen down, will not eliminate the joy and happiness for their life.