Cuahgt Between The Past and The Present: Meet The Yearning Romantic

As part of honoring our commitment to cultural humility and anti-oppressive practices in research, our team took great care in honoring the voices of all of our participants, and gained feedback each step of the way through collaboration with the Asian American community.

The Yearning Romantic’s Tracklist

The Past

so good- joan: intro-1:17

Driver’s License- Olivia Rodrigo 1:20-2:24

Notting Hill scene (Julia Roberts)- 2:24-2:32

Epilogue IU 2:32-4:00

The Present

Call Me By Your Name scene 4:01-4:19

Memories- Conan Gray 4:20-5:32

Notting Hill scene (Julia Roberts)- 5:32-5:41

Love Me- Hauskey 5:41-6:27

Cheek To Cheek- Ella Fitzgerald and Louis Armstrong 6:27-7:31

The Future

When The Day Is Done- grenterez 7:32-8:30

Arabesque, L. 66: No. 1. Andantino con moto- Claude Debussy 8:30-9:25

Quote 

The Yearning Romantic

We would like to extend our heartfelt thanks to Elizabeth Anglin for her incredible artwork titled The Yearning Romantic!

Heartbreak and self-discovery resonate deeply in the Yearning Romantic’s CIAB. They bravely share how a past relationship still lingers in their life, illustrating the challenge of letting go of not only the person they once loved but also the moments and memories that shaped them. It’s understandable to feel caught between the past and the present, yearning for someone who will truly see, appreciate, and cherish them. This desire for connection and love reflects a universal longing, highlighting the Yearning Romantic’s struggle and courage as they navigate their path toward healing and growth.

Click Below to Follow Along with the Yearning Romantic's Music Analysis

Heartbreak and self-discovery highlight the Yearning Romantic’s CIAB. The yearning romantic views their past through a lens of loss. The Yearning Romantic emphasizes this loss and pain through sound effects that distort and muffle lyrics to illustrate the inability to let go and process a heartbreak. There is a sense of hurt and pain in the distortion and choices of lyrics from joan’s so good:

Should I talk to her?

Should I introduce myself?

What if I mess it up?

I just can’t believe my eyes

There’s my girl,

that I know for sure

Never thought I’d need somebody else

Like you,

that you can make me feel, feel,

feel so good

All these years,

waiting for the one,

Never settle for nobody else

Now you’re here,

Life has never felt, felt, felt so good

The yearning romantic starts their song with a high-pitched string guitar, which is quickly followed by a heavy synthesizer beat, which moves back into the guitar with a Spanish-sounding beat. The teen adds echo sound effects to create a dreamy sound in Olivia Rodrigo’s Driver’s License. The lyrics are about a lover who has moved on, suggesting the teen is transitioning to a new phase in their life.

And I know we weren’t perfect,

but I’ve never felt this way for no one, oh

And I just can’t imagine how you could be so okay now that I’m gone.

The teen chooses to use a quote from a Notting Hill scene to emphasize their willingness to be seen –

I’m also just a girl,

standing in front of a boy,

asking him to love her

The yearning romantic longs for their past love to see them as their authentic self or simply as the woman they are. In their audio biography, the teenager shares their heartfelt journey and expresses a deep desire to reshape their narrative by healing from the lingering pain of heartbreak and embracing the possibility of new love.

We can see the teen’s lingering pain through the song Epilogue by IU, the lyrics:

Was it good to know me?

Was it good to love me?

Are the old songs I would sing for us still comforting?

If you answer ‘yes’ to all of these questions

With that alone, my life will be okay

Oh, it’ll hold enough meaning

They further set it as an intimate mood through the slow music pace and the choice of using an electric guitar and keyboard to display a mellow atmosphere. A scene from Call Me by Your Name is significant in showing the teens’ internal struggle with telling someone from the past that they loved them (or deciding to keep it inside) –

Is it better to speak or die?

Moving forward continues with Conan Gray’s song Memories –

But you show up today,

just to ruin things

I wanna lf-

put you in the past ’cause I’m traumatized,

But you’re not letting me do that.

Toward the song’s end, the teen fades the lyrics to shut out that thought. The participant goes back, creating tension of being unable to do anything. However, during their journey of breaking free, the participant amplifies the volume of the lyric

Today, just to ruin things

I wanna.

From the louder volume of the song, the teen emphasizes that past love is blocking them from escaping the past and letting go of those memories.

The quest for romance is evolving, moving away from the love we extend to others and turning inward toward the profound embrace of self-love. This journey is characterized by a newfound confidence and introspection, beautifully captured in the rhythmic melodies of the song “Love Me” by Hauskey. The music resonates with a deep self-acceptance, inviting listeners to celebrate their individuality and find joy within themselves. –

Got a list of things I hate,

About myself,

But I’m gon build a fuckin fire,

And burn that list to hell,

Yeah, all that hate messed up my brain,

But it’s all bout to leave,

It’s time to,

Love me,

Time to,

Love me.

Driver’s License by Olivia Rodrigo turns the teen’s past into lost love:

 I guess you didn’t mean what you wrote in that song about me

‘Cause you said forever,

now I drive alone past your street Red lights, stop signs

I still see your face in the white cars, front yards 

Can’t drive past the places we used to go to

‘Cause I still fuckin’ love you, babe

(Ooh, ooh-ooh, ooh, ooh-ooh)

They still desire to be seen by those they want to love now. They use this by returning to the Notting Hill quote –

I’m just a girl,

standing in front of a boy,

asking him to love her.

To vividly underscore their genuine perspective on love, there is a sense of optimism blossoming in the present moment, as they embrace the possibility of discovering true happiness and another profound connection, envisioning a future filled with warmth and companionship. –

Heaven,

I’m in heaven

And my heart beats so that

I can hardly speak

And I seem to find the

happiness I seek

And my heart beats so that

I can hardly speak

And I seem to find the

happiness I seek.

The future feels distant, common for most teens as they typically cannot see beyond high school. In the future, the yearning romantic suggests hope for a peaceful life with their lover, and they reflect this in their song choices. The first song, When The Day Is Done

What I had in front of me was love

And I’m livinI’mn it

Take me back to 01

Where life just begun If I could,

I’ll do iI’lll again (oh)

I know that you got me no matter wherever I go

So when the day is done,

I’m cominI’mome to you

When the day is done,

I’m cominI’mome to you.

The intensely yearning and romantic piece by Claude Debussy, “Arabesque No. 1” (L. 66), envelops you like a warm embrace, as if each note were a colorful wave washing over you. The melody evokes the serene beauty of twinkling stars above, while the soft sound of rain provides a comforting backdrop. When the rain finally subsides, a simple yet profound quote resonates deeply, capturing the essence of the teen’s choice of love over fear.

To be written